May 19, 2012
Shelley Duvall: STYLE ICON

Shelley Duvall: STYLE ICON

(via oldloves)

May 19, 2012
Okay, we’re not actually packing—that will take five minutes, because basically I’ll just throw my clothes and laptop in my car and GTFO. But we’ve got less than two weeks left here now.
Really, we should be focusing our efforts on trashing the place, since I guess they’re going to be completely redoing it after we leave. It’s going to be—wait for it—a sober house. If it wasn’t going to be so fucking expensive, I’d suspect there might actually be a chance I’d end up here again someday.
We’re throwing a party for the townies on May 31, our last night here. They’re into it; they haven’t seen the inside of this place in, like, ever. We’re not inviting Daniel; shit just got too weird with him. I don’t know what he told the cops about the night Will died, but whatever he told them obvs wasn’t enough for them to leave Tanner alone.
People have been asking where I’m going to go. Back with my dad (damnit) at first, but then maybe somewhere else. Tanner’s getting a place with his friends in San Francisco, and they want me to move in with them, but that’s not going to happen unless the thousand-dollar fairy promises to visit me at least once a month.
I’ll go back to serving, maybe go back to school. I’ll figure some shit out. But I can guarantee you this: I’ll never write again.
- Lucy Coleman

Okay, we’re not actually packing—that will take five minutes, because basically I’ll just throw my clothes and laptop in my car and GTFO. But we’ve got less than two weeks left here now.

Really, we should be focusing our efforts on trashing the place, since I guess they’re going to be completely redoing it after we leave. It’s going to be—wait for it—a sober house. If it wasn’t going to be so fucking expensive, I’d suspect there might actually be a chance I’d end up here again someday.

We’re throwing a party for the townies on May 31, our last night here. They’re into it; they haven’t seen the inside of this place in, like, ever. We’re not inviting Daniel; shit just got too weird with him. I don’t know what he told the cops about the night Will died, but whatever he told them obvs wasn’t enough for them to leave Tanner alone.

People have been asking where I’m going to go. Back with my dad (damnit) at first, but then maybe somewhere else. Tanner’s getting a place with his friends in San Francisco, and they want me to move in with them, but that’s not going to happen unless the thousand-dollar fairy promises to visit me at least once a month.

I’ll go back to serving, maybe go back to school. I’ll figure some shit out. But I can guarantee you this: I’ll never write again.

- Lucy Coleman

4:13pm  |   URL: http://tmblr.co/ZCFOfwLmrsCg
Filed under: Tarrytown Minnesota 
May 18, 2012
Slowly, silently, she sits up.
In the darkness, her windowshade is rimmed with the streetlight’s orange glow. She can’t sleep.  She knows it’s there.
She found it this afternoon, but her mother was in the next room over and she didn’t dare touch it.
Her heart is pounding. She’s going to go.
She swings her feet off the bed, onto the rough carpet. She shivers as she slips out of her bed and into the cool air. Her Strawberry Shortcake nightgown provides little insulation, and she wraps her arms around her body for warmth as she steps into the hallway.
She pushes the cupboard door in as she turns the knob, so the door won’t make a pop when the latch retracts. Stepping on one of the drawer handles, she reaches up and takes the red plastic flashlight. Pointing it into her armpit to block the light, she flashes it once to be sure it works. She takes a deep breath and heads for the stairs, passing the room where Eric sleeps under a mound of blankets, his blue Bugs Bunny nightlight casting an eerie glow.
The stairs are carpeted, but every step produces a creak that seems ear-splittingly loud. If her dad wakes up, she’ll tell him she was going down to the kitchen for a snack.
Downstairs, the ticking of the antique clock on the mantel sounds like an alarm. ab-by, ab-by, ab-by, ab-by! The darkened first floor of her house has the same quality as her yard after a snow—all the familiar objects are there, but there’s a foreignness to them, an abstraction from their true nature. The effect is strange and sinister, and she takes care not to touch anything as she passes into the kitchen.
The illuminated clock on the stove says past midnight! The spotlight mounted on the garage shines through the back door’s four windowpanes and casts the shadow of a cross over her chest. She pauses. Her hand is on the basement doorknob. She swallows. She could go back to bed.
But she wouldn’t be able to sleep. She knows it’s there. She has to go see it.
She opens the door and beams the flashlight into the blackness below. One object is illuminated at a time: a board game, a basketball, a tool chest. She swallows and ventures onto the first cold grey stair.
The refrigerator’s compressor switches on, and she almost screams with the startle. Half a laugh tickles the back of her throat, and she’s down the stairs.
The silence in the basement is profound. The floor is cluttered, and she has to keep the flashlight shining on the ground in front of her as she picks her way among cinder blocks and ski poles on the brown linoleum floor. After a few steps, the last door is in front of her. It feels as though her heart has expanded to fill her whole body, and every inch of her throbs with its rapid beating. She pushes the door open.
Her flashlight’s beam glints off her father’s abandoned drum set. Afraid of causing it to make a noise, she steps toward the set with vast caution. Quietly lowering herself into a cross-legged sitting position, she faces the dusty bookshelf. She sets the flashlight in her lap and pushes aside the framed license plate that leans against the shelf.
There it is, roasting the other books with its hot blush.
Suddenly, she realizes someone is watching her, and a stifled cry grabs at her throat as she swings the flashlight’s beam towards the door.
The light strikes only the water heater. No one is there.
She sits there for a minute, listening intensely and trying to control her quick, shallow breathing. Swallowing, she turns back to the shelf and reaches for the book.
It won’t budge. Creeping mildew has plastered it to its neighbors. She pulls harder, and finally it comes free with a crackle. She has it. There’s no turning back. She sets the book in her lap and opens the warped pages. When she turns the flashlight to the book, she gasps aloud. She hadn’t imagined. She stares at the picture for a minute and then turns the page. Then another page. And another.
She’d expected words, but she’s found drawings. Heads between legs. Women sitting on men. Men riding women. Lying together, backwards. And hair everywhere—so much curly black hair. Never would she have imagined.
Fallen

Slowly, silently, she sits up.

In the darkness, her windowshade is rimmed with the streetlight’s orange glow. She can’t sleep.  She knows it’s there.

She found it this afternoon, but her mother was in the next room over and she didn’t dare touch it.

Her heart is pounding. She’s going to go.

She swings her feet off the bed, onto the rough carpet. She shivers as she slips out of her bed and into the cool air. Her Strawberry Shortcake nightgown provides little insulation, and she wraps her arms around her body for warmth as she steps into the hallway.

She pushes the cupboard door in as she turns the knob, so the door won’t make a pop when the latch retracts. Stepping on one of the drawer handles, she reaches up and takes the red plastic flashlight. Pointing it into her armpit to block the light, she flashes it once to be sure it works. She takes a deep breath and heads for the stairs, passing the room where Eric sleeps under a mound of blankets, his blue Bugs Bunny nightlight casting an eerie glow.

The stairs are carpeted, but every step produces a creak that seems ear-splittingly loud. If her dad wakes up, she’ll tell him she was going down to the kitchen for a snack.

Downstairs, the ticking of the antique clock on the mantel sounds like an alarm. ab-by, ab-by, ab-by, ab-by! The darkened first floor of her house has the same quality as her yard after a snow—all the familiar objects are there, but there’s a foreignness to them, an abstraction from their true nature. The effect is strange and sinister, and she takes care not to touch anything as she passes into the kitchen.

The illuminated clock on the stove says past midnight! The spotlight mounted on the garage shines through the back door’s four windowpanes and casts the shadow of a cross over her chest. She pauses. Her hand is on the basement doorknob. She swallows. She could go back to bed.

But she wouldn’t be able to sleep. She knows it’s there. She has to go see it.

She opens the door and beams the flashlight into the blackness below. One object is illuminated at a time: a board game, a basketball, a tool chest. She swallows and ventures onto the first cold grey stair.

The refrigerator’s compressor switches on, and she almost screams with the startle. Half a laugh tickles the back of her throat, and she’s down the stairs.

The silence in the basement is profound. The floor is cluttered, and she has to keep the flashlight shining on the ground in front of her as she picks her way among cinder blocks and ski poles on the brown linoleum floor. After a few steps, the last door is in front of her. It feels as though her heart has expanded to fill her whole body, and every inch of her throbs with its rapid beating. She pushes the door open.

Her flashlight’s beam glints off her father’s abandoned drum set. Afraid of causing it to make a noise, she steps toward the set with vast caution. Quietly lowering herself into a cross-legged sitting position, she faces the dusty bookshelf. She sets the flashlight in her lap and pushes aside the framed license plate that leans against the shelf.

There it is, roasting the other books with its hot blush.

Suddenly, she realizes someone is watching her, and a stifled cry grabs at her throat as she swings the flashlight’s beam towards the door.

The light strikes only the water heater. No one is there.

She sits there for a minute, listening intensely and trying to control her quick, shallow breathing. Swallowing, she turns back to the shelf and reaches for the book.

It won’t budge. Creeping mildew has plastered it to its neighbors. She pulls harder, and finally it comes free with a crackle. She has it. There’s no turning back. She sets the book in her lap and opens the warped pages. When she turns the flashlight to the book, she gasps aloud. She hadn’t imagined. She stares at the picture for a minute and then turns the page. Then another page. And another.

She’d expected words, but she’s found drawings. Heads between legs. Women sitting on men. Men riding women. Lying together, backwards. And hair everywhere—so much curly black hair. Never would she have imagined.

Fallen

6:46am  |   URL: http://tmblr.co/ZCFOfwLhuRc5
Filed under: Fallen 
May 11, 2012
Missing Someone Is

a little pilot light slowly burning the back of your throat.

always feeling like you’ve just eaten something that might possibly make you throw up in two hours.

wearing wet socks.

walking around with that feeling you have immediately after you trip on the sidewalk and you don’t know whether anyone saw.

a slow-motion paper cut.

using your phone when there’s a very light rain coming down and you’re just trying to do your business but the screen keeps misting up and you wonder whether your phone is going to break because of it.

carrying around a backpack containing exactly one heavy book.

that three-beer moment of confused panic between the pleasant crisp of a buzz and the thick blanket of drunkenness.

a pencil sharpener that breaks the lead once every three or four times you use it.

always feeling a little bit like a ghost.

- Tate Morrissey

(Source: unrealityhouse.com)

May 6, 2012
Our legal system is FUCKED

The fucking cops are bringing Tanner in again tomorrow. Seriously, they still haven’t settled shit about Will’s death? I mean, come on. It’s obvious Will took the pills himself. It sucks, it was an accident, case closed.

EXCEPT NOT.

First they had to search literally every corner of the house and grounds. They didn’t search our buttcracks, but I would seriously not have been surprised. They found some of Tanner’s stuff, but obvs it was different than the stuff Will had—no one knows where Will got those pills. Why does it matter? He’s dead, and he’s not coming back. Only because we’re in the middle of bumfuck nowhere Minnesota do the cops have nothing better to do than drag this out. I have no fucking idea what they’re going to ask Tanner that he hasn’t already told them.

That guy Daniel was the last one to see Will alive, but he’s only been in once. Once. Sketchoid bro living alone in his cabin and eye-raping girls, the only one to actually be in my boyfriend’s room with him the night he died, gets away with one quick Q&A and now he’s good.

Why? Because he’s local. Because he’s a local guy, and he’s probably like the cousin or the brother or the son of a cop who’s said, hey, this guy is good. If we need a scapegoat, let’s get that writer kid who’s been fucking all our wives. Listen, assholes, maybe your wives and girlfriends wouldn’t be jumping into bed with a newly-arrived man-whore (I call ‘em like I see ‘em) if you were home with them instead of hanging out at the station trying to come up with some remotely plausible story that will allow you to pin Will’s death on a person besides himself. Use your dicks, pigs, don’t inflate them with phony stories about us!

We only have to be here for 25 more days, and they can’t go by quickly enough for me. This whole project has been a fucking disaster, and the sooner I leave this backwards town in my rearview mirror, the better.

- Lucy Coleman

4:46pm  |   URL: http://tmblr.co/ZCFOfwK-Vh54
Filed under: Minnesota 
May 5, 2012
I Had Sex Last Night, and I Don’t Remember It

This morning I woke up in a strange bed, and I was naked. There was a naked man in bed with me. When I turned over, he smiled and said good morning.

“Where am I?” I asked.

“This is my apartment,” he said.

“Oh,” I replied. My head raced to do the math…I went to that bar, I danced with a bunch of guys…I remembered this one, but I forgot what his name was. I recognized him as a special ed aide who used to work at the school where I tutor. That must be why I trusted him. Also, he was cute. And I was really drunk.

“Did we…?” I asked.

He nodded. “Yeah.”

“Oh,” I replied. “Okay.”

He looked concerned. “You…don’t remember?”

I shook my head. “No. Sorry.”

“I’m sorry,” he said. “We were both drunk, but I didn’t know you were…blackout?”

“It’s okay,” I said, and pulled a sheet around me as I got out to look for my clothes. I found them in the kitchen. I didn’t remember anything about his apartment at all.

He offered to drive me home, but I said no thanks and took the bus. I was too weirded out by the whole situation, and a belatedly defensive part of my brain screamed, “Don’t let him know where you live!”

I didn’t even think to ask whether we use a condom. I think we did. I hope we did. He seems like an okay guy…but I’d better get checked out. You have to wait six months for a reliable HIV test. I don’t even know.

Legally I know it’s rape if one party is too drunk to consent…but how could he have known? People always tell me I’m so composed when I’m drunk, they can’t even tell until I run into a door or something. Something like a penis.

Is this okay? What should I do? It’s probably okay. It was stupid of me to get so drunk. It was stupid of me, however drunkenly, to go home with him. But I know why I probably did. It’s been lonely, living alone. Yoga can only do so much to soothe your soul. You need cuddles, and more.

I didn’t even get his number. Should I go back and see him? Would he even answer the door, after the way I acted freaked out by him and stumbled out? Should I be freaked out by him? Was that creepy of him? Am I pregnant with his child?

I don’t even know. I’m going back to bed to have a really loud motherfucking cry.

- Tate Morrissey

(Source: unrealityhouse.com)

12:57pm  |   URL: http://tmblr.co/ZCFOfwKwOloG
  
Filed under: idk 
May 4, 2012
Rain Is So Cozy When You’re With Someone, and So Fucking Bleak When You’re Alone

I remember the running and laughing and jumping over puddles and the sex, and the sex, and the sex, and the sex. Actually, I don’t really remember the sex so much as I remember the locations where it happened in my apartment, and that it was good.

I like taking wet clothes off, and I liked taking your wet clothes off. I remember hiding behind blinds the next day, but not for as long as I would have liked, because you had to go to a thing with your girlfriend’s family.

After you left, I went back and looked at my still-wet clothes on the floor and wondered whether I was using you, or using him, or getting used, or whether it all mattered. My upstairs neighbors were listening to their damn Pearl Jam album again, and I had a desperate sense of futility.

I hate relationships. They make me feel trapped. But I hate even more not being in them. There’s that place inside me that nothing can fill except someone who’s promised to be there, and to stay there, no matter what. What always ends up mattering, but as long as someone’s promised, I can believe and be content.

I hate writing about shit like this, but the alternative is just sitting here alone in the rain and eating myself alive. Here’s a piece of me for you to glance at, lick, taste, chew, spit out, ignore, whatever. It’s out of my system now.

- Lucy Coleman

7:53pm  |   URL: http://tmblr.co/ZCFOfwKtop6w
  
Filed under: rain sex 
May 3, 2012
"I have always used substances to cope with my anxiety. At different moments in my life, I have become completely lost in food, drugs, alcohol or cigarettes. Sometimes it seemed that survival would have been impossible without them. But after five years in therapy I can now admit that I probably would have been fine without the substances. What really makes my anxiety go away is time and distance. But here’s the thing: part of me doesn’t want it to go away. I actually thrive on and revel in the heart pounding and discomfort, and I enjoy it even more when I am dumping booze or cigarettes on the fire that is burning in my heart and brain."

This article isn’t particularly notable, but I love this paragraph.  (via papemobile)

May 2, 2012
Pros and Cons of Hooking Up with Moms

Pros

• Have their shit together. If the kids are still alive, their mom has to have some kind of grip on reality.

• Experienced—by definition.

• Confident. Moms care about their kids, but in bed they tend not to have hang-ups. Moms’ time is limited, so they’re not going to waste time telling you what they want to do.

• Fundamentally sexy. Culture and some weird instinct cocktail (STD avoidance? I dunno) might have taught us to have the hots for virginal types, but at a fundamental level, your body gets excited about sex because it wants you to have kids. A woman with a proven record of having kids is just, at a baseline level, hot.

• Good snacks in the cupboard. Gushers, Goldfish, shit like that.

Cons

• Often married, or partnered. Inconvenient, and complicated.

• Limited hours of availability. You kind of have to be on their timetable.

• Anxiety about the kids walking in on you. Some moms are cool flying close to the flame on this one, but I try to avoid doing Mom when the kids are in bed. I’m already under investigation for drug possession, I don’t need some kind of boning-in-front-of-a-minor situation added to my dossier.

• Don’t drive sexy cars. Minivans might be hot from a girl’s perspective, but I can’t get a boner within 100 feet of an Aerostar.

• No prospects for the long term. Before you get offended by that, consider whether you really think I should become an adoptive father. And remember, this is real life—not an Adam Sandler movie.

- Tanner Fitzgerald

11:42pm  |   URL: http://tmblr.co/ZCFOfwKnO6-j
Filed under: moms sex 
May 2, 2012
feel like there are worse personal brands than being “the sexy one” in a chamber music ensemble

feel like there are worse personal brands than being “the sexy one” in a chamber music ensemble

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